We are a couple of fans of the Lutterloh designs
who love to sew clothes that fit.
You can also successfully make a wardrobe from your
Lutterloh pattern book.
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I'll be taking a tropical vacation next month so despite the dreary, rainy weather outside I need to sew some cool, comfortable clothes.
Pattern Drafting Hints:
This pattern was a breeze to enlarge to my size. There were only front and back bodice pieces plus front and back neck facings to draw. It is suggested that you also draw arm hole facings but I knew I would use binding so I skipped these.
If you make this pattern up for yourself I'd suggest you measure the keyhole opening on your own neckline as the 25mm mentioned seemed awfully low to me.
Although I believe this top would look smashing in a solid color I am trying to use up some of the prints in my fabric stash. This particular print is a cotton lycra blend with a very soft drape. Unfortunately the busy print camouflages the interesting tucks at the neckline. Here is a close up view.
The pattern for this top suggests a knit and I agree wholeheartedly. You could probably use a stretch woven for this top but it would need to have quite a bit of drape to it to avoid puffiness around the bust area. The button opening at the neck allows for ample room to get this over your head.
There werea few minor design changes to this top pattern. The sleeves are bound with satin edge elastic and I left off the back darts altogether. I originally pinned the darts but decided I wanted a less fitted top so left them off in the end. The front neckline was lowered just slightly by cutting the fabric with no seam allowance and then sewing the facing on with a 1/2" seam. As mentioned above, the keyhole neck opening seemed mighty low to me. Mine ended up about 18 cm from the neckline rather than the 25cm suggested on the pattern. This is as low as I can go without showing part of my deepest plunge bra.
I was pleasantly surprised to find this top is plenty long for me without any addition. When it's not tucked in, it nearly covers my whole behind in back and crotch in front. This gives more opportunities for wearing it untucked with a belt. Hey, with just a little additional length I could make this as a sleeveless tunic. The skirt pattern paired with this top doesn't really appeal to me but I do have enough fabric left to make a companion skirt for a dressier look. Don't you just love that about separates?
The newest Lutterloh supplement has just been released and is available on their German website here: Supplement 304
We'll have to wait a little while before it's available in the U.S. but at least you can get a sneak peek.
In that post I determined the fit for my favorite T and then added one wide godet to a center back seam. When I started looking for a pattern for a knit cowl neck top I realized the most recent cowl pattern I could think of was for a woven. Not to worry, I already have a well fitting knit top pattern. Why not alter it to the shape I need?
The picture above is from one of my favorite pattern making books, Pattern Making by the Flat-Pattern Method by Norma Hollen and Carolyn Kundel. Another book I consulted to transform my basic pattern is called Patternmaking For Fashion Design by Helen Joseph-Armstrong. I believe these were both textbooks at one time. Parts of them are fairly technical but there are also some basic operations in them that anyone should be able to accomplish with just a little patience and some basic tools that you're already using for your Lutterloh patterns. It really is eye opening to see that with a little manipulation of a basic pattern you can truly end up with a wardrobe of different patterns.
For my cowl I took this pattern one step further by opening the slashes at the shoulders for small pleats. That step is well demonstrated in the book too so it really was just a matter of marking the pleats well for when I sewed the pattern together.
Below is a close up of my pattern laid out on the fabric. You'll see that I've drawn my cutting line in chalk.
This is the outside, bottom corner of the bodice back. Notice I've started drawing a slightly curved hem at the bottom. When you don't add seam allowances to your pattern until cutting, it allows you to change the length and even the shape of the hem of your pattern for each project. You can also adjust the seam allowances for each different fabric based on the amount of stretch of various fabrics. All of these changes to your pattern can be accomplished with the drawing tools that you use every time you enlarge one of your Lutterloh patterns.
The sleeve is from yet another pattern that I've already reviewed here:
After all why reinvent the whole pattern when our Lutterloh patterns make it so easy to interchange the sleeves and such? They're both knit patterns and I'd already drawn them both to the same size. Presto, 3/4 length sleeves! Now when I see a pattern or a top that I'd like to copy I think carefully about whether or not it really is just a slight variation of my basic T. I certainly have enough fabric to make a whole wardrobe of T's. ; )
Do you ever change your patterns to copy another style you've seen? Feel free to leave your comments below. I'd really love to see everyone using their Lutterloh patterns to their full potential!
This will be my outfit for a casual holiday party this weekend. I'll likely pair it with a black velvet jacket or a cashmere cardigan. Despite the trouble I had figuring out the sewing sequence for this pattern it really was very well designed.
Pattern Drafting Hints:
Enlarging this pattern to my size was very straightforward as with most Lutterloh patterns. The pieces all fit together very nicely and they produced a nice fitting pair of slacks. The greatest challenge I encountered was with figuring out the sewing order.
As you can see from the pattern pieces there are very few letters to direct you. A,B,C, and D are the only hints you get and that really only gets you through the front and back pockets. The real puzzle begins once you attach the facings and try to overlap the front legs onto the side front. I won't detail my sewing sequence here because it was fraught with pinning and sewing followed by ripping and eventually hand basting to get the layers in the right order.
When you finally get to sewing the outside leg seam there are a total of 6 layers of fabric to sew together at the point of the triangular side front where all the facings meet. Make sure to pin and check before sewing this spot to be certain all the facings will be caught in the seam and stay tucked inside the leg.
This is definitely not a fit as you go type of pattern. Once you get those side seams sewn you do not want to mess with them again! You will still have the center front and center back seam for minor adjustments but this is not the first Lutterloh pants you should be making. As long as you've already made some Lutterloh pants to determine the shape of your hip curve and length and depth of your crotch this pattern should fit just fine with adjustments that you've already worked out. Just draw it to your regular Lutterloh measurements, make your usual figure alterations and take your time assembling the pieces of the puzzle!
Although this pattern is clearly a trouser pattern I chose to make mine in a stretch denim. This does affect the hang of the pants but I was trying to replicate my Dittos jeans that I remember from my youth. As soon as I saw the pattern I knew exactly how I wanted them to look. I think I got pretty close considering I no longer have the figure of a teenager ;).
To cut down on the bulk of the many layers I used a navy broadcloth for the facings and pocket bags. I also sewed navy twill tape into the waistband to prevent stretching out of shape.
Be sure to use a fabric that will take a press. This will save you frustration when lining up all those layers at the side seams.
I only made one small design change to this pattern. I wanted to avoid any gaping at the button closure so I used 5 buttons on each side instead of 4. The look on the model was exactly what I was hoping for. Other than adding a little width at the thighs and length at the bottom I made no adjustments to this pattern. I may go back and sew the back crotch just a bit deeper but since these are actually trouser jeans now I may leave the closer fitting crotch.
I must admit I'm happy to be done with these pants so I can move on to some simpler sewing projects. Don't get me wrong, I love how they turned out in the end, but the puzzle of the sewing sequence does not make me want to repeat the experience. Overall I'd say this really is an excellently drafted pattern but unless you are up for a challenge I would leave this pattern to the more expert seamstresses.
I hope you all make some time for sewing in the busy holiday season ahead. I'm sure glad I did.
This two piece dress was for a wedding in the mountains on October 1st. The color was perfect for Fall and the short sleeves were just right for our California Indian Summer.
Pattern Drafting Hints:
The princess seams for this top matched up flawlessly after enlarging to my size. The peplum seam fit into the bodice nicely too. There was quite a bit of easing needed to fit the sleeve cap into the armsceye but it was doable with some easing stitches and a lot of steam pressed over a pressing ham.Don't be tempted to end the back zipper of this top at the waist seam.The zipper on this top needs to extend through the waist seam or you won't be able to get it over your shoulders. The eight shaping darts on the skirt are crucial for getting a nice smooth fit over the hips on the pencil skirt.
This dress made up beautifully in an eggplant colored polyester paisley jacquard. This fabric is a staple at JoAnn's Fabrics in their Silkies selection. There is just a touch of Lycra in this fabric and that did help with a nice smooth fit of the skirt. Because of the peplum a softer, drapier fabric will work best for this set. I made up a test of this top in a lightweight twill and you can see how the firmer fabric makes the peplum stand away from the body.
Design Changes: I realize the whole peplum craze is on it's way out but I still love the silhouette for my hourglass figure. You may have noticed that the fashion drawing for this set features a flatter peplum than mine. Every version I've seen made up of this pattern sits flatter in the front but then stands out at the sides. I figured if the sides were going to stand out I would rather add some fullness to the peplum and make it look more purposeful. Below is a photo of my peplum pattern after I split it and spread the pattern to add more fullness at the hem.
Because I didn't want the peplum to stand away from my body like a frill I omitted the facing and just turned and stitched the hem instead. The neckline on this pattern is fairly high so on the black top I lowered it by 3/4" and for the final dress lowered it another 1/2" and cut it into a slight V. The skirt didn't require any alteration except for length. I did stabilize the hem with a strip of knit interfacing and hand stitched the hem once turned up.
Closing Hints: I noticed a similar knit peplum top in the newest 2016 supplement so I may use this pattern for a knit top in the near future. The fit of the shoulder princess seams is so flattering and could really lend itself to some nice color blocking. The skirt is an absolute classic and the two shorter and two longer darts both front and back make getting a perfect fit much easier. The skirt pattern could work nicely in a firm stable knit too. Although I put off making this pattern for a long time I'm so glad I finally got around to it.
So, how do you feel about peplums; are you a fan or not? Please leave your comments below. We check for and post the comments frequently every day.
While I wait for my newest Supplement #302 to arrive I thought I'd share with you what I made from the last supplement. It's funny, right before this supplement arrived in my mailbox I had a dream I was making a shirt dress out of light colored chambray. When I saw this style in supp. 301 I knew it was meant to be!
Pattern Drafting Hints:
The letters next to the pattern number indicate this is a blouse but I just couldn't imagine wearing a blouse this long. My intention all along was to belt it for a dress. Just to get an idea of how roomy this "blouse" really is here is a photo without the belt.
It really is as loose as it appears in the drawing. Oh, and the sides really are cut very high to create that classic shirt tail hem. There are nice long shaping darts in the back but without a belt I feel like this should have more shape in the front too. I suppose it depends on how you want to style it.
Unfortunately I could not find the light colored chambray I was hoping for at my fabric store. I ended up using a lovely Nicole Miller fabric in a dreamy 100% Lyocell fabrication. Lyocell is actually a type of rayon so the fabric care recommendations are very similar. This fabric does feel just a little heavier than challis. I would imagine almost any lightweight woven fabric would do for this blouse.
Design Changes: As you can see I left the sleeves and pocket off of this blouse. If I had put sleeves on it I knew I wouldn't be able to wear it until the weather cooled. Leaving the sleeves off lead me to another design change that wasn't expected. The arm holes had such a huge gaping issue that I had to put a fitting dart in from the arm hole to the bust. Normally this would require reshaping the sleeve too but since I didn't have any this was not an issue. The pocket I felt would draw too much attention to my bust and I would never use it so why bother? So, other than my usual bust and length alterations this pattern went together easy, peasy.
Closing Hints: I have to say I like this blouse well enough but I'm afraid it isn't the shirt dress of my dreams. I'll be on the lookout for another pattern with more shaping and perhaps a yoke at the top. Now that the weather should be getting cooler I suppose I may be over the whole shirt dress thing by next Summer anyway, we'll see.
So, am I the only one who has dreams of sewing? Feel free to leave your comments below.